Toronto's Greatest Summer Sale

Jill Barber's Favourite Dresses

We, here at FC, enjoy listening to the charming melodies of this artiste almost as much as fitting and styling her for her many performances. Jill Barber's music is definitely worth uploading to your library; our favorite album is "Chances".
We anticipate some fresh lovesongs from this lyricist, as she recently disclosed her new engagement!

Jill performing at a Jazz FM Fundraiser. Photograpy: Romy Shinder.

Here, Jill is pictured with David Fransen, Canadian Consul General in Los Angeles
at his official residence where she recently performed.

GUNK: The Daily Strokes of a Make-Up Artist

Vol. 2
Fellow Fashion Crimes stylist Robyn Lianne gets a Zooey Deschanel inspired make-up look.
Here’s how you can snag it with (with MAC)!

A liberal application of Studio Fix Fluid in NC15 was applied to Robyn’s face to give her that milky complexion and powder pressed pores, for the perfect photograph.

Paint Pot in Bare Study was then stippled onto the eyelid using the 249 large shadow brush. Special attention was paid to the lower lash line, blending Paint Pot slightly with the foundation under the eye which gives a smooth transition from pinkish tones to more yellow in the foundation.

A crease is then defined by patting Wedge eye shadow, which is a medium brown, into the crease line and then blending outward to contour the eye.

Jet black liquid liner is applied over the upper lash line and plucked out in a slight wisp, building its thickness mid-eye to give a ‘cuter-than-cute’ baby doll eye shape.

Using Silver Dusk Iridescent Powder and a small fluff brush, a small dusting is applied to the brow bone and eyelid. Doing this can blur harsh edges and give a nice glow to the eye area.

A small coating of mascara is used to intensify the eyes, opening them up and giving them a ‘wide-awake’ appearance; just like Miss Deschanel.

After the eyes are complete the lips are next to be defined.

Using Pinky Eyeliner, which is exclusively sold at MAC Pro stores only, line the lips in a sweetheart cut, dipping down on the cupids bow of the lips. This will give that carved look that Zoey is known for. With a clean brush blend Mauvelous Lipstick over top and seal the deal with a top coat of clear lip gloss.

Use these two blushes to get the flushed and contoured look. Layer both Tantone and Breath of Plum blushers to the face. Both have a matte finish so it will appear more natural and will be more striking when photographed.

Montreal Jazz Festival

GUNK: The Daily Strokes of a Make-Up Artist

Vol. 1

Dana Brushette shoots for Stephanie Connell Designs

Accessories by Fashion Crimes

When Dana and I were dreaming up a story for this editorial, the words, ‘What would a fashionable alien do if she came to Earth,’ came to mind.

Recently I was asked by photographer, and close friend Dana Brushette, to be on set as a make-up artist for an editorial shoot for London based designer Stephanie Connell.

I quickly responded with a “YES!” Having worked with her before many times I knew there was nothing more exiting than being on set with her.

After days of mulling over the make-up looks to be delivered for this shoot, I thought that a little improvisation would be best. Since I had never worked with designer Stephanie Connell, hair stylist Andrea Harrison, or model Joanna Eggett before, I thought I would wait until I got the full team together to create any make-up looks.

Upon meeting the fabulous trio, getting a closer look at the designs, and meeting with Andrew and bouncing ideas off one another, I knew I had a vision in mind.

With studio fix fluid, and a heavy dusting of powder, I matted Joanna’s face; giving it that dried up look. After we finished the base I swept a soft brown under her eyes, and etched an angular shape into the inner corners of her lids, highlighting it with a white to intensify her eye shape.

Her brows were strong, and stood alone, so I simply extended them to reach the contours of her eye shadow.

I applied a thick coat of mascara to her top lashes only, and rimmed her waterline with my favorite eyeliner Smolder, by MAC Cosmetics. For the first two looks I dulled her lips, concealing them, giving her a very high fashion look. I reminded the team about the importance of the balance in make-up artistry. Because of her strong brow, dark hair and the complexity of Stephanie’s designs, going over board on the made-up could potentially ruin the look. “Always find the balance.”

The last time I shot with Dana Brushette was late winter, at the Gladstone Hotel here in Toronto. We were shooting for local street wear designer, Christopher J. Nevin, in room 314, the Billio room. We had to hide out from the cold, and crank the heat, crammed in the small room shooting for hours. Luckily, this was not the case for this photo shoot.

This time we had sunlight! And summer heat! So, after two hours or so of hair and make-up we all packed up our kits and moved outside to catch some rays while we watched the model work her wear, and showcase some elegant Fashion Crimes pieces.

Model Joanna Eggett elegantly portrays a fashionable alien, wearing her futuristic outfit by designer Stephanie Connell. The silver and metallic plum colors played well with one of Fashion Crimes most lovable pieces; THE BENDY!

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Your one and only boy,

Logan Salter